They are accompanied by members of the Crescendo Period Instrument Orchestra-Rodrigo Tarraza (traverso), Sarah Davol (oboe da caccia), Job Salazar (violin), Carlos Boltes (viola), Malina Rauschenfels (violoncello), and Christine Gevert (continuo organ). Bach’s Matthew Passion, B Minor Mass and Cantata “Komm, du süsse Todesstunde) performed by soprano Jennifer Tyo (Lakeville, CT), countertenor Nicholas Tamagna (New York City and Oldenburg, Germany), tenor Pablo Wiley Bustos (Rochester, NY). This New York City artist’s career was abruptly put on hold by the shut-down after a stellar premiere at the Metropolitan Opera alongside Joyce DiDonato last February.Īt the center of this concert are three arias from J.S.
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This is also the case for this program that brings together Early Music specialists from four East Coast states, and the internationally acclaimed soloist Nicholas Tamagna, now temporarily based in Oldenburg, Germany. the Crescendo Vocal Ensemble recorded over fifty Renaissance motets during this year), but also, for our winter concert, to collaborate with renowned performers, coaches, and scholars from three continents.
#Ariel ramirez la misa criolla completa professional#
So, while all activities were moved online, Crescendo seized the opportunity to not only produce an extraordinary amount of repertoire, giving work to more than sixty professional musicians (eg.
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Like all performing arts groups, Crescendo has been greatly affected by the pandemic. This half-hour-long concert is Crescendo’s second in this year (202-21 Season) of remotely produced recordings.